A quote from DiMaggio – Recalling My Adventures as a Working Photographer from the 60’s to present day. The book describes my career working for publications such as SPORTS ILLUSTRATED, TIME MAGAZINE, HBO, rapidly followed by a brilliant career in Corporate and Advertising. It’s also about how photography has evolved over the years.
FILL THE FRAME goes into detail about the many people I have photographed – celebrities, sports figures as well as many others and my experiences working with them as well as the stories behind the photographs.
Book is $20 plus $4 shipping. You can pay by check, paypal or credit card (through Paypal.)
Here I am at the Long Beach Grand Prix with a group of photographers including editor Kevin Fitzgerald. This same day I shot a motor series of the famous shunt below in the first turn, at the start of the race, and landed my first photograph in Sports Illustrated. I was the only photographer that got this photograph! The rest was history. This photograph is also a double truck spread in Mario Andretti’s coffee table book. The editor of Andretti’s book wrongly gave my partner Joe the credit but it was mine!
Track History Toyota Grand Prix of Long Beach. … Mario Andretti avoided a first-lap, multi-car collision, then went on to outduel F/One stars … first-lap shunt involving James Hunt that remains perhaps the Grand Prix’s most enduring image.
This past weekend I made time to go to the Fairfield Museum in Connecticut to see Photographer Bill Eppridge’s Retrospective Show. What an amazing photography exhibit it was. I highly recommend it.
For those of you who are not familiar with Bill’s work, google him and make it a priority to see his retrospective before it ends. Bill is a photojournalist whose work spans over three decades with Life Magazine, Sport Illustrated and National Geographic. He is best known for his photos of Bobby Kennedy’s assassination but there is so much more to his work. As a former journalist myself (Sports Illustrated and Time Magazine) however, I would never consider myself anywhere close to having his photojournalistic ability, I truly enjoyed reading his words alongside his amazing photographs which briefly gave a few personal thoughts behind some of the images or what his assignment entailed. In all honesty it was up there with the best of the best exhibits I’ve ever seen.
For all my students, please take the time to go to this exhibit and see the power of a great still Image and see for yourself what a very fine photojournalist Bill Eppridge is and take a lesson.
The show opened May 1 and continues till August 28
A highlight of my career. Funny story… I was photographing the Long Beach Grand Prix Which was the first street race of the season. I was just one, of the many photographers there. One of the keys to photographing these events is to scout out your positions during qualifications and make sure you get to a position where you can shoot the start of the race, very early, and ahead of the other shooters.
At the start of the race, maybe into the second lap, there was a loud noise and the screeching of brakes and smoke. I quickly panned following the action, around the turn, with my new Nikon motor driven camera. I had chose a corner position to shoot the start of the race, so I was able to follow through, as James Hunt flipped up into the air and onto one tire as he went over Patrick Depailler’s car with Mario Andretti barely missing getting caught up in this shunt. After the race the other photographers were talking about what happened and I, matter of factly said, “I got the whole thing on film.” At the time I just assumed everybody did and was not trying to brag but stating a fact. The other photographers (all male) just stared at me and kind of met each other’s eyes. Later that day we went to the lab to check and pick up our film. Again this is really funny, when I opened the first box of film, there was the whole shunt series! The guys just could not believe this when I showed it to them! You had to see their faces! Someone suggested I give SPORTS ILLUSTRATED a call and let them know I had this on film & ask if they needed it. Sure enough, a messenger came to pick up my film and it was flown back to New York for that week’s issue. They ran it once again, in SPORTS ILLUSTRATED YEAR IN PICTURES and I became a freelance shooter for the Magazine working mostly with Director of Photography, at the time, Gerry Cooke. I was one of the first women shooters for the Magazine. JoAnne Kalish